What’s the collective noun for doodles? An infusion? A gung-ho of doodlewry? I thought so. One of the highlights of the recent stickery campaign was trawling through some supporters social profiles and turning them into a doodle. Each was like a puzzle – with some easier to figure out than others. Needless to say, I couldn’t keep up, but thoroughly enjoyed the sleuthing. Thanks again to these lovely now-stickerful people.
Whilst slacking in the Creative Commons Slack channel, a few people were sharing their remote working setups (or for distributed organisations, their normal working setup). So I thought I’d create a quick sketch of mine. On reflection, I seem to have acquired a few boards: White, Chopping and Dart. The Chopping board has been one of the best work-hacks I’ve discovered (costing all of £8 from IKEA). It allows be to work at an angle to my desk, giving me more leg room, a healthier posture, and works a treat with an apple wireless keyboard hooked on the top of the board.
I recieve Maria Popova’s Brain Pickings by email as I’m sure many of you do, and I’m often drawn in by both the imagery and insight she shares in and around other creatives. A couple of months ago, I came across her Ten Learnings from Ten Years, which I thought immediately demanded to be brought to life with some visuals of their own. So I thought I’d give it a go. Here’s no.1…
Before I started drawing, I was only remotely aware of Creative Commons – if at all. I remember coming across it a few years ago. Ah! Some people have taken a complicated thing and boiled it down so that people can use my stuff in an appropriate way? For free? Creative Commons is now central to my business model: Let others use your stuff. Every once in a while someone sees something out there I’ve created and thinks “I wonder if he can help us visually capture…”
In my experience, the awareness of what exactly the Creative Commons is, and what rights it affords you with respect to other people’s creative works, is at best patchy. During a conversational thinkery session with Alan Levine, we started to think through some of the roles people can play. I could give examples of all these roles, but I have a deep gratitude to those Defenders of the Commons – who understand it’s value, and why it needs protecting.
Of course, the best way to learn about the commons, is to share some of your own creative works…
I had the recent pleasure of doing some conversational thinkery with Alan Levine about what Creative Commons means to us both. When I create something, it’s an outpouring of my self, both consciously and unconsciously, which is one of reasons I sign all my work – the ebb and flow of a creation that evolves and takes shape – and who knows how it ends up like it does. Obey the idea…
How little we know of the opportunities life has ahead of us.
I often follow my hunch – that warm fuzzy feeling compelling me to go in a particular direction. I need to know some stuff – but not too much – otherwise I’d talk myself out of it.
Who knows where it might lead?
My buddy created that image. I really think you should attribute him as he spent quite a bit of time creating it. Otherwise, how will anyone else know that this image is available for them to use under creative commons as well?
I love these people – these defenders of the commons. Power to their elbows!
This thinkery comes from a thoroughly enjoyable conversation with Alan Levine.
I’m in the shower — where all good ideas are formed. Well — not formed as such, just realised. There’s something about the sensation of water on skin that grabs the half-baked thoughts hidden deep within the subconscious — thoughts which have been jolting around my grey matter while I slept, before throwing them up to the fore with a ping! A freshly condensed droplet of thought.
This is REMIX — because no-one bakes a cake without using any ingredients…
People sharing insights from their sweet-spots of expertise wrapped in Creative Commons licensing shared socially — surely that would be beneficial for all of us? It certainly feels great!